The commons were on their side, the moderate men, the party of law, the lovers of republican government, and for the most part the magistrates; but they shrank from their fortune, “more from cowardice than from goodness, because they exceedingly feared their adversaries.”
Continuing Dante Composes he Divine Comedy,
our selection from Essay on Dante by Richard William Church published in 1878. The selection is presented in six easy 5 minute installments. For works benefiting from the latest research see the “More information” section at the bottom of these pages.
Previously in Dante Composes he Divine Comedy.
Time: 1300-1318
Place: while he was exiled in Rome
Dante, like any other literary celebrity of the time, was not less from the custom of the day than from his own purpose a public man. He took his place among his fellow-citizens; he went out to war with them; he fought, it is said, among the skirmishers at the great Guelf victory at Campaldino; to qualify himself for office in the democracy, he enrolled himself in one of the guilds of the people, and was matriculated in the “art” of the apothecaries; he served the state as its agent abroad; he went on important missions to the cities and courts of Italy according to a Florentine tradition, which enumerates fourteen distinct embassies, even to Hungary and France. In the memorable year of jubilee, 1300, he was one of the priors of the Republic. There is no shrinking from fellowship and cooperation and conflict with the keen or bold men of the market-place and council hall, in that mind of exquisite and, as drawn by itself, exaggerated sensibility. The doings and characters of men, the workings of society, the fortunes of Italy, were watched and thought of with as deep an interest as the courses of the stars, and read in the real spectacle of life with as profound emotion as in the miraculous page of Vergil; and no scholar ever read Vergil with such feeling — no astronomer ever watched the stars with more eager inquisitiveness. The whole man opens to the world around him; all affections and powers, soul and sense, diligently and thoughtfully directed and trained, with free and concurrent and equal energy, with distinct yet harmonious purposes, seek out their respective and appropriate objects, moral, intellectual, natural, spiritual, in that admirable scene and hard field where man is placed to labor and love, to be exercised, proved, and judged.
The outlines of this part of Dante’s history are so well known that it is not necessary to dwell on them; and more than the outlines we know not. The family quarrels came to a head, issued in parties, and the parties took names; they borrowed them from two rival factions in a neighboring town, Pistoia, whose feud was imported into Florence; and the Guelfs became divided into the Black Guelfs, who were led by the Donati, and the White Guelfs, who sided with Cerchi. It is still professed to be but a family feud, confined to the great houses; but they were too powerful and Florence too small for it not to affect the whole Republic. The middle classes and the artisans looked on, and for a time not without satisfaction, at the strife of the great men; but it grew evident that one party must crush the other and become dominant in Florence; and of the two, the Cerchi and their White adherents were less formidable to the democracy than the unscrupulous and overbearing Donati, with their military renown and lordly tastes; proud not merely of being nobles, but Guelf nobles; always loyal champions, once the martyrs, and now the hereditary assertors, of the great Guelf cause. The Cerchi, with less character and less zeal, but rich, liberal, and showy, and with more of rough kindness and vulgar good-nature for the common people, were more popular in Guelf Florence than the Parte Guelfa; and, of course, the Ghibellines wished them well.
Both the contemporary historians of Florence lead us to think that they might have been the governors and guides of the Republic — if they had chosen, and had known how; and both, though condemning the two parties equally, seem to have thought that this would have been the best result for the state. But the accounts of both, though they are very different writers, agree in their scorn of the leaders of the White Guelfs. They were upstarts, purse-proud, vain, and coarse-minded; and they dared to aspire to an ambition which they were too dull and too cowardly to pursue, when the game was in their hands. They wished to rule; but when they might, they were afraid. The commons were on their side, the moderate men, the party of law, the lovers of republican government, and for the most part the magistrates; but they shrank from their fortune, “more from cowardice than from goodness, because they exceedingly feared their adversaries.” Boniface VIII had no prepossessions in Florence, except for energy and an open hand; the side which was most popular he would have accepted and backed. But he said, “Io non voglio perdere gli uomini perle femminelle.” * If the Black party furnished types for the grosser or fiercer forms of wickedness in the poet’s hell, the White party surely were the originals of that picture of stupid and cowardly selfishness, in the miserable crowd who moan and are buffeted in the vestibule of the Pit, mingled with the angels who dared neither to rebel nor be faithful, but “were for themselves”; and whoever it may be who is singled out in the setta dei cattivi, for deeper and special scorn — he, the idea was derived from the Cerchi in Florence.
[* “I am not going to lose the men for the old women.”]
“Che fece per vilta il gran rifinto,”
[“The coward who the great refusal made.”]
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