Venice Founded – 4

The dim religious light, half revealing the slowly gathered glories of St. Mark’s; the Ducal Palace, that history in stone; the Rialto, with the babble of many languages.

Continuing Venice Founded.
Today is our final installment from Thomas Hodgkin and then we begin the second part of the series with John Ruskin. For works benefiting from the latest research see the “More information” section at the bottom of these pages.

Previously in Venice Founded.

Time: 452 AD
Place: Rialto Island

But even while protesting, it is impossible not to let into our minds some thought of what those desolate fishing villages will one day become. The dim religious light, half revealing the slowly gathered glories of St. Mark’s; the Ducal Palace, that history in stone; the Rialto, with the babble of many languages; the Piazza, with its flock of fearless pigeons; the Brazen Horses, the Winged Lion, the Bucentaur, all that the artists of Venice did to make her beautiful, her ambassadors to make her wise, her secret tribunals to make her terrible; memories of these things must come thronging upon the mind at the mere mention of her spell-like name. Now, with these pictures glowing vividly before you, wrench the mind away with sudden effort to the dreary plains of Pannonia. Think of the moody Tartar, sitting in his log-hut, surrounded by his barbarous guests; of Zercon, gabbling his uncouth mixture of Hunnish and Latin; of the bath-man of Onégesh and the wool-work of Kreka and the reed candles in the village of Bleda’s widow; and say if cause and effect were ever more strangely meted in history than the rude and brutal might of Attila with the stately and gorgeous and subtle republic of Venice.

One more consideration is suggested to us by that which was the noblest part of the work of Venice, the struggle which she maintained for centuries, really in behalf of all Europe, against the Turk. Attila’s power was soon to pass away, but, in the ages that were to come, another Turanian race was to arise, as brutal as the Huns, but with their fierceness sharp-pointed and hardened into a far more fearful weapon of offence by the fanaticism of Islam. These descendants of the kinsfolk of Attila were the Ottomans and but for the barrier which, like their own murazzi against the waves, the Venetians interposed against the Ottomans, it is scarcely too much to say that half Europe would have undergone the misery of subjection to the organized anarchy of the Turkish pachas. The Tartar Attila, when he gave up Aquileia and her neighbor cities to the tender mercies of his myrmidons, little thought that he was but the instrument in an unseen Hand for hammering out the shield which should one day defend Europe from Tartar robbers such as he was. The Turanian poison secreted the future antidote to itself and the name of that antidote was Venice.

John Ruskin

Now we begin the second the second part of our series with our selection from Stones of Venice by John Ruskin published in 1853. The selection is presented in 3.5 easy 5 minute installments.

John Ruskin (1819-1900) was the leading art critic of the Victorian Era.

In the olden days of travelling, now to return no more, in which distance could not be vanquished without toil, but in which that toil was rewarded, partly by the power of deliberate survey of the countries through which the journey lay and partly by the happiness of the evening hours, when, from the top of the last hill he had surmounted, the traveller beheld the quiet village where he was to rest, scattered among the meadows beside its valley stream; or, from the long-hoped-for turn in the dusty perspective of the causeway, saw, for the first time, the towers of some famed city, faint in the rays of sunset — hours of peaceful and thoughtful pleasure, for which the rush of the arrival in the railway station is perhaps not always, or to all men, an equivalent — in those days, I say, when there was something more to be anticipated and remembered in the first aspect of each successive halting-place, than a new arrangement of glass roofing and iron girder, there were few moments of which the recollection was more fondly cherished by the traveller than that which brought him within sight of Venice, as his gondola shot into the open Lagoon from the canal of Mestre.

Not but that the aspect of the city itself was generally the source of some slight disappointment, for, seen in this direction, its buildings are far less characteristic than those of the other great towns of Italy; but this inferiority was partly disguised by distance and more than atoned for by the strange rising of its walls and towers, out of the midst, as it seemed, of the deep sea, for it was impossible that the mind or the eye could at once comprehend the shallowness of the vast sheet of water which stretched away in leagues of rippling lustre to the north and south, or trace the narrow line of islets bounding it to the east. The salt breeze, the white moaning sea-birds, the masses of black weed separating and disappearing gradually, in knots of heaving shoal, under the advance of the steady tide, all proclaimed it to be indeed the ocean on whose bosom the great city rested so calmly; not such blue, soft, lake-like ocean as bathes the Neapolitan promontories or sleeps beneath the marble rocks of Genoa, but a sea with the bleak power of our own northern waves, yet subdued into a strange spacious rest and changed from its angry pallor into a field of burnished gold, as the sun declined behind the belfry tower of the lonely island church, fitly named “St. George of the Sea-weed.”

Thomas Hodgkin began here.

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