Voltaire in Geneva – 4

France had outgrown the system that had brought her through the Middle Ages.

Continuing Voltaire in Geneva,
with a selection by John Morley.

Previously in Voltaire in Geneva.

Time: 1754-1758
Place: Geneva

France had outgrown the system that had brought her through the Middle Ages. The further development of her national life was fatally hindered by the tight bonds of an old order, which clung with the hardy tenacity of a thriving parasite, diverting from the roots all their sustenance, eating into the tissue, and feeding on the juices of the living tree. The picture has often been painted, and we need not try to paint it once more in detail here. The whole power and ordering of the nation were with the sworn and chartered foes of light, who had every interest that a desire to cling to authority and wealth can give in keeping the understanding subject.

The glories of the age of Louis XIV were the climax of a set of ideas that instantly afterward lost alike their grace, their usefulness, and the firmness of their hold on the intelligence of men. A dignified and venerable hierarchy, an august and powerful monarch, a court of gay and luxurious nobles, all lost their grace because the eyes of men were suddenly caught and appalled by the awful phantom, which was yet so real, of a perishing nation. Turn from Bossuet’s orations to Boisguillebert’s Détail de la France; from the pulpit rhetorician’s courtly reminders that even majesty must die, to Vauban’s pity for the misery of the common people; [1] from Corneille and Racine to La Bruyère’s picture of “certain wild animals, male and female, scattered over the fields, black, livid, all burned by the sun, bound to the earth that they dig and work with unconquerable pertinacity; they have a sort of articulate voice, and when they rise on their feet they show a human face, and, in fact, are men.” The contrast had existed for generations. The material misery caused by the wars of the great Louis deepened the dark side, and the lustre of genius consecrated to the glorification of traditional authority and the order of the hour heightened the brightness of the bright side, until the old contrast was suddenly seen by a few startled eyes, and the new and deepest problem, destined to strain our civilization to a degree that not many have even now conceived, came slowly into pale outline.

[1: Vauban and Boisguillebert are both to be found in Les Economiste Financiers du XVIIIième Siècle, published by Guillaumin, 1851.]

There is no reason to think that Voltaire ever saw this gaunt and tremendous spectacle. Rousseau was its first voice. Since him the reorganization of the relations of men has never faded from the sight either of statesmen or philosophers, with vision keen enough to admit to their eyes even what they dreaded and execrated in their hearts. Voltaire’s task was different and preparatory. It was to make popular the genius and authority of reason. The foundations of the social fabric were in such a condition that the touch of reason was fatal to the whole structure, which instantly began to crumble. Authority and use oppose a steadfast and invincible resistance to reason, so long as the institutions which they protect are of fair practicable service to a society. But after the death of Louis XIV, not only the grace and pomp, but also the social utility of spiritual and political absolutism, passed obviously away. Spiritual absolutism was unable to maintain even a decent semblance of unity and theological order. Political absolutism by its material costliness, its augmenting tendency to repress the application of individual energy and thought to public concerns, and its pursuit of a policy in Europe which was futile and essentially meaningless as to its ends, and disastrous and incapable in its choice of means, was rapidly exhausting the resources of national well-being and viciously severing the very tap-root of national life. To bring reason into an atmosphere so charged was, as the old figure goes, to admit air to the chamber of the mummy. And reason was exactly what Voltaire brought; too narrow, if we will, too contentious, too derisive, too unmitigatedly reasonable but still reason. And who shall measure the consequence of this difference in the history of two great nations: that in France absolutism in church and state fell before the sinewy genius of stark reason, while in England it fell before a respect for social convenience, protesting against monopolies, benevolences, ship-money? that in France speculation had penetrated over the whole field of social inquiry, before a single step had been taken toward application, while in England social principles were applied before they received any kind of speculative vindication? that in France the first effective enemy of the principles of despotism was Voltaire, poet, philosopher, historian, critic; in England, a band of homely squires?

Voltaire, there can be little doubt, never designed a social revolution, being in this the representative of the method of Hobbes. His single object was to reinstate the understanding in its full rights, to emancipate thought, to extend knowledge, to erect the standard of critical common-sense. He either could not see, or else, as one sometimes thinks, he closes his eyes and refuses for his part to see, that it was impossible to revolutionize the spiritual basis of belief without touching the social forms, which were inseparably connected with the old basis by the strong bonds of time and a thousand fibres of ancient association and common interest. Rousseau began where Voltaire left off. He informs us that, in the days when his character was forming, nothing which Voltaire wrote escaped him, and that the Philosophical Letters (that is, the Letters on the English), though assuredly not the writer’s best work, were what first attracted him to study, and implanted a taste which never afterward became extinct. The correspondence between Voltaire and the Prince of Prussia, afterward the great Frederick, inspired Rousseau with a passionate desire to learn how to compose with elegance, and to imitate the coloring of so fine an author. [2] Thus Voltaire, who was eighteen years his elder, gave this extraordinary genius his first productive impulse.

[2: Confessions, pt. i. liv. v. Date of 1736.]

Continued.

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